By , September 26, 2025.

Transatlantic Comments on the Anthropic AI Settlement — “Judge Alsup’s preliminary approval at the US District Court of the Northern District of California sees Anthropic paying US$1.5 billion to authors and publishers of close to half-a-million books that Anthropic downloaded from notorious pirate sites to feed its AI models. The San Francisco-based Anthropic is valued at $183 billion—a figure five times larger than the aggregate revenue of the American publishing market in 2024.”

Five Copyright Office Resources You May Not Know Exist — “The U.S. Copyright Office provides a wide range of resources to support creators, educators, and other copyright users, but some of the most valuable tools can fly under the radar. Here are five lesser-known Office resources that can help you better understand, register, and manage your creative works.”

Setting the Record Straight About America’s Copyright and AI Policy — “With U.S. policymakers and judges considering the very important question of how copyright law applies in the context of AI, especially AI training, there’s been an unfortunate deluge of falsehoods and myths spread by AI developers and others in a poor attempt to get policymakers and courts to grant them special copyright treatment for AI.”

Record labels claim AI generator Suno illegally ripped their songs from YouTube — “The updated lawsuit alleges that Suno ’employed code to access, extract, copy, and download’ copyrighted works from Universal, Sony, and Warner, and violated YouTube’s terms of service by circumventing the platform’s ‘rolling cipher’ encryption.”

‘Real Love’ copyright claim rejected — The breakbeat from the Honey Dripper’s 1973 track “Impeach the President” is instantly recognizable and has been sampled in hundreds of songs since its release. Read the court ruling this week dismissing a claim at the pleadings stage against Universal Music Publishing that its use in the Mary J. Blige track “Real Love” was not infringing.

By , September 19, 2025.

AI companies want copyright exemptions – for NZ creatives, the market is their best protection — “If fair dealing applied to AI models, copyright owners would basically become unwilling donors of AI firms’ seed capital. They wouldn’t even get a tax deduction! … Licensing offers hope that the economic benefits of AI technologies can be shared better. In New Zealand, it can help with appropriate use of Māori content in ways uncontrolled data scraping and copying don’t.”

When Tech Giants Cry Wolf: A Flawed Case Against Judicial Site Blocking — “Today, at least 55 countries employ some form of site blocking for copyright infringement, and the internet continues to thrive. The number of global internet users has more than doubled since 2010. Internet speeds are more than 11 times faster. And legal options to enjoy creative works have proliferated, with over 870 video streaming services globally. Moreover, a mountain of peer-reviewed evidence demonstrates that judicial site blocking is highly effective, reducing traffic to blocked sites by 80-90% while increasing legal consumption. Site blocking works and makes the internet stronger and safer for us all.”

The 18th-century legal case that changed the face of music copyright law — “With these words, the ‘musical work’ was legally born. Lord Mansfield certified that music was protected by the copyright act, dispelling previous doubt on the matter and ensuring that Bach would be remembered not only for his compositions but also for changing how the law views the art of music.”

Music labels, Internet Archive settle record-streaming copyright case — “The labels’ 2023 lawsuit said that the project functioned as an ‘illegal record store’ for more than 4,000 songs by musicians including Frank Sinatra, Ella Fitzgerald, Miles Davis and Billie Holiday. The Archive denied the allegations and said the project was protected by the copyright doctrine of fair use.”

The upcoming Mio/konektra judgment: What the CJEU should decide regarding the copyright infringement test — “In this post, I will revisit the AG’s approach to the second issue above – that is: the infringement test – and try to articulate why the CJEU should NOT ‘depart’ from the approach established in yet another seminal decision (Infopaq). The Court should confirm that the copyright infringement test is based on originality, not – as proposed by the AG – the recognizability of what has been copied.”

By , September 12, 2025.

RSS co-creator launches new protocol for AI data licensing — “On the legal side, the RSL team has established a collective licensing organization, the RSL Collective, that can negotiate terms and collect royalties, similar to ASCAP for musicians or MPLC for films. As in music and film, the goal is to give licensors a single point of contact for paying royalties and provide rights holders a way to set terms with dozens of potential licensors at once.”

Encyclopaedia Britannica and Merriam-Webster claim copyright infringement by AI startup Perplexity — “Filed in Manhattan federal court late Wednesday evening, Encyclopaedia Britannica and Merriam-Webster accuse Perplexity in 55-page civil complaint of violating their copyrights both at the curation stage when it uses a software program called ‘PerplexityBot’ to crawl and scrape their websites for Perplexity’s ‘answer engine,’ and also at the input stage when it reproduces copyrighted articles that are responsive to user searches to prompt responses from its retrieval-augmented generation output of its large language model.”

The Case for using Small Language Models — “Because of their focused training data, SLMs are also faster and more cost-effective to build, fine-tune, and improve over time than LLMs. These qualities of SLMs can give businesses the agility to develop AI solutions that can quickly adapt to changing market dynamics, shifting customer expectations, or new regulatory demands without the lengthy development cycles and high sunk costs typically associated with LLMs.”

Apple Sued by Authors for Copyright Infringement — “On Friday, authors Grady Hendrix and Jennifer Roberson filed a lawsuit in Northern California targeting Apple’s ‘OpenELM’ large language models, alleging the company ‘copied protected works without consent and without credit or compensation.’ The suit accuses Apple of using the Books3 dataset of pirated books and employing its own proprietary Applebot to scrap the web and, potentially, other online ‘shadow libraries.'”

Did Showtime make a witch’s brew out of a novelist’s copyrighted characters? — “A writer who claimed that a streaming channel ‘blended attributes of her various characters in a cauldron’ in a popular horror-fantasy TV series did not show that the overlaps between the two works were so strikingly similar as to rule out the possibility of independent creation, the U.S. Court of Appeals for the Ninth Circuit has held.”

By , September 05, 2025.

Warner Bros. Joins Studios’ AI Copyright Battle Against Midjourney — “In the complaint, Warner Bros. alleges that Midjourney willfully creates both still images and video of its characters, including Superman, Batman, Bugs Bunny, Daffy Duck and Tom and Jerry. The complaint also alleges that Midjourney recently eliminated guardrails that blocked users from creating videos that infringe on its IP.”

Mexico says works created by AI cannot be granted copyright — “The [Mexico Supreme Court]’s unanimous decision said that the Federal Copyright Law (LFDA) reserves authorship to humans, and that any creative invention generated exclusively by algorithms lacks a human author to whom moral rights can be attributed. According to the Supreme Court, automated systems do not possess the necessary qualities of creativity, originality and individuality that are considered human attributes for authorship.”

AI tech companies accused of illegally scraping copyrighted music in ICMP investigation — “The ICMP investigation claims that AI tools such as Google’s Gemini, Anthropic’s Claude, Microsoft’s CoPilot, Meta’s Llama 3, and more have all ‘scraped’ music from licensed platforms such as YouTube and Spotify to train their models ‘without permission nor respect for laws’.”

World’s largest sports piracy site shut down by police — “The Alliance for Creativity and Entertainment (ACE) said on Wednesday it had teamed up with police in Egypt to close down Streameast, which had been visited more than 1.6 billion times in the past year. It allowed millions to access pirated streams of sports such as Premier League football matches, Formula One races and Major League Baseball games.”

TikTok Can’t Escape Trial in Copyright Suit Over Video Tech — “TikTok Inc. must face a jury trial next month in a lawsuit brought by a Chinese software company accusing the social media giant of copying video- and audio-editing technology. Judge Susan Illston ruled Monday that Beijing Meishe Network Technology Co. owns the copyrights to the code at issue, rejecting TikTok’s arguments that the rights to the software weren’t transferred from Meishe’s partial owner.”

By , August 15, 2025.

Comparing AI Training to Human Learning Is Cartoonishly Absurd — “Analogizing AI processes to human processes may be helpful as a simplistic way to explain how certain aspects of AI work. However, relying on these analogies as a substitute for actual legal and policy analysis can lead to erroneous blurring of lines, resulting in poorly conceived laws and policies, which prioritize AI over humans and setting a very dangerous precedent for our future.”

Baby Shark song not plagiarised – South Korean top court — “South Korea’s Supreme Court has rejected a US composer’s allegation that the producers of the inescapably catchy children’s song Baby Shark plagiarised his work, ending a six-year-long legal battle. The court upheld two lower court verdicts that favoured Pinkfong, the South Korean company behind the tune with the “doo doo doo doo doo doo” refrain that has been streamed billions of times.”

Copyright and Piracy: Publishers Coordinate on the Anthropic Lawsuit, ‘A Moment of Reckoning’ — “So large is the class being formed—of both publishers and authors—that Anthropic in its defense is asserting that paying damages to publishers and authors could bankrupt the AI company.”

Which judge will decide fair use next in AI copyright litigation? Judge Saylor IV, most likely — “We have an updated prediction of which district court judge will have the next decision on fair use in the AI litigation. Technically, Judge Alsup will get another shot at deciding fair use in the remaining part of the lawsuit in Bartz v. Anthropic, set for trial on December 1, 2025, related to Anthropic’s downloading and possible retention of copies from shadow libraries.”

Australian authors challenge Productivity Commission’s proposed copyright law exemption for AI — Lucy Hayward, CEO of the Australian Society of Authors (ASA), said the proposal gave ‘a free pass’ to multinational tech companies, such as Google, Meta and OpenAI, to continue using unauthorised copyrighted material to train their AI models. ‘Why should we create a situation where billion-dollar tech companies can profit off authors’ work, but not the creators who made the work? It’s an entirely absurd proposition,’ Hayward told ABC Arts.”

By , August 08, 2025.

Top Ten Noteworthy Copyright Stories from July 2025 — “After being dormant for much of the year, Congress was very busy on copyright issues in July—introducing copyright-related legislation and holding a hearing on AI and copyright piracy issues. There were many more significant copyright-related events in July. Here is a quick snapshot of top ten copyright news stories from July 2025.”

Key Trends in Shanghai’s Top 10 Copyright Cases for 2025 and Beyond — “Shanghai’s copyright landscape saw key developments over the last year, as the city’s Copyright Bureau unveiled its annual list of 10 high-impact copyright cases in July 2025. The cases cover civil, criminal, and administrative decisions, involving various fields such as software, games, films, music, and literature.”

Court in Spain puts a stop to unlicensed press summaries for copyright infringement — “A Barcelona court has taken a firm stand against the unauthorised use of press content, ruling that media summaries sold without a licence violate copyright law and undermine the sustainability of journalism.”

Authors oppose AI text mining proposal over copyright concerns — “The Australian Society of Authors has voiced opposition to a proposal from the Productivity Commission that suggests introducing a text and data mining exception to Australia’s Copyright Act. The interim report from the Productivity Commission, titled Harnessing data and digital technology, considers whether an exception allowing the training of artificial intelligence models on copyrighted works should be explored further in Australia. The report notes that large AI models have already made use of content from Australian creators without their consent or compensation, yet it suggests that the introduction of a text and data mining exception could be a potential way forward.”

Canadian Author Sues Four AI Companies for Copyright Infringement — “[J. B.] MacKinnon, author of The 100-Mile Diet and The Once and Future World, serves as the representative plaintiff in separate suits he filed in B.C. Supreme Court against Nvidia, Meta, Anthropic, and Databricks Inc. The cases target what MacKinnon described as unauthorized use of copyrighted material in developing large language models.”

By , July 25, 2025.

Why Courts Should Dismiss Challenges to Copyright Registrations Issued in the Interregnum — Former U.S. Copyright Office General Counsel Jon Baumgarten argues that trial courts should dismiss or decline to hear challenges to copyright registrations issued since May 22, when competing claims as to who is the Register of Copyrights arose, under the authority of the Supreme Court’s 2010 decision in Reed Elsevier v Muchnick.

Ottawa weighs plans on AI, copyright as OpenAI fights Ontario court jurisdiction — “Canada’s artificial intelligence minister is keeping a close watch on court cases in Canada and the U.S. to determine next steps for Ottawa’s regulatory approach to AI. Some AI companies have claimed early wins south of the border, and OpenAI is now fighting the jurisdiction of an Ontario court to hear a lawsuit by news publishers.”

Transformative Use Analysis in Bartz v. Anthropic AI Case Marred by Fatal Flaws — “The court in Bartz v. Anthropic arrived at the conclusion that the unauthorized use of the plaintiffs’ works for training a generative AI model qualifies as fair use, but the order’s analyses of transformative use has many fatal flaws. The disregard for Ninth Circuit precedent and misapplication of the Supreme Court’s Warhol decision is nothing short of alarming, so much so that it’s hard to see how this decision will not be corrected on appeal.”

Trump Loses Copyright Fight Over Woodward Interview Recordings — “Trump’s primary theory—that he and Woodward were joint authors of the interviews—collided with both Second Circuit precedent and his own pleadings. Under Childress v. Taylor and Thomson v. Larson, joint authorship requires both independently copyrightable contributions and mutual intent to be co-authors at the time of creation.”

New York Court Tackles the Legality of AI Voice Cloning — “The court dismissed plaintiffs’ infringement claim with respect to the use of the plaintiffs’ voice recordings to train Lovo’s AI model, but with leave to amend. The court held that there was insufficient factual detail in the complaint regarding how the AI training process allegedly infringed the plaintiffs’ exclusive rights, but that it would be straightforward for plaintiffs to amend their complaint to make the appropriate allegations. In a footnote, the court noted that Lovo asserted in a single sentence that its training was fair use, but that if plaintiffs amended their complaint, and defendants again moved to dismiss, a more thorough fair-use defense would need to be articulated.”

By , July 18, 2025.

The Largest IP Theft in History: Takeaways from the Senate Hearing on AI and Copyright Piracy — “On July 16, the Senate Judiciary Committee’s Subcommittee on Crime and Counterterrorism held a hearing titled Too Big to Prosecute?: Examining the AI Industry’s Mass Ingestion of Copyrighted Works for AI Training. While some courts may struggle to articulate why these pervasive pirating activities of AI companies seem so disturbing—Senators on the Subcommittee took charge in demonstrating the ridiculous, un-American position that what they referred to as “the largest IP theft in history” should ever be condoned.”

US authors suing Anthropic can band together in copyright class action, judge rules — “U.S. District Judge William Alsup said the authors can bring a class action, opens new tab on behalf of all U.S. writers whose works Anthropic allegedly downloaded from ‘pirate libraries’ LibGen and PiLiMi to create a repository of millions of books in 2021 and 2022. Alsup said Anthropic may have illegally downloaded as many as 7 million books from the pirate websites, which could make it liable for billions of dollars in damages if the authors’ case is successful.”

Generative AI & Copyright Law in India: Who Owns Machine-Made Works? — “Although courts in India have not yet ruled definitively on generative AI and copyright ownership, recent judicial and regulatory developments signal growing concern and attention toward the issue.”

Can GenAI and Copyright Coexist? — “Gen AI has the potential to benefit industry and society in many ways. But achieving that potential will require more robust and transparent partnerships between technology firms and the creative industries. On our current path we risk killing the goose—or in this case the authors, musicians, coders, and filmmakers—who laid the golden eggs that are key to the present and future value of gen AI output.”

WeTransfer Changes Policy After Concern It Could Train AI on User’s Photos — “The controversy began after a recent update to WeTransfer’s terms appeared to grant the company broad rights over user content, including a clause referencing the use of data to ‘improve performance of machine learning models that enhance our content moderation process.’ This language raised alarms creative professionals, including photographers, some of whom interpreted the terms as giving WeTransfer permission to use, sell, or share their files with AI companies.”

By , July 11, 2025.

Top Noteworthy Copyright Stories from June 2025 — June was a busy month for copyright. The Copyright Alliance’s Rachel Kim reviews some of the key developments that took place.

UMG Chief Digital Officer on AI Music: ‘If You Don’t Claim a Seat at the Dinner Table, You Might Wind Up on the Menu’ — “Also during his talk, Nash stressed the position that ‘copyright is not the enemy of innovation’ and that ‘market-based solutions are the answer’ to the challenges AI poses to intellectual property-based industries like music.”

EU’s AI code of practice for companies to focus on copyright, safety — “The code is part of the AI rule book, which will come into effect in a staggered manner and will apply to Google owner Alphabet, Facebook owner Meta, OpenAI, Anthropic, Mistral and other companies. Signatories to the code will have to draw up and make publicly available summaries about the content used to train their general-purpose AI models, only employ copyright-protected content when using web crawlers as well as mitigate the risk of copyright-infringing output.”

Pirate IPTV Trio Sentenced to 14 Years Prison For Money Laundering — “A court in Brazil has handed down prison sentences totaling 14 years to three individuals for money laundering offenses linked to a pirate IPTV service. A software developer who made the service available through a popular IPTV app, his sister, and a mutual friend handled thousands of transactions through bank accounts, with funds laundered through a small hosting company.”

Use of Floorplans in Real Estate Listings is Permissible Under U.S. Copyright Law — “Initially, the district court ruled that the floorplan drawings fell within an exception of the Copyright Act that exempts pictures, paintings, photographs or other pictorial representations of an architectural work if it is visible from a public place. The appeals court rejected that theory and remanded the case for further development, observing that a fair use defense might apply. The case found its way back to the Eighth Circuit after the district court granted summary judgment on the basis of the defendants’ fair use.”

By , July 10, 2025.

The first two court decisions (Bartz v. Anthropic and Kadrey v. Meta) addressing the use of copyrighted works to train generative AI were released in late June in rapid fire succession. Both came from judges within the same federal district, and both ruled, based on the records before them, that the use was fair. But despite the same outcomes, there were significant differences in how they got there.

Given the fact that these decisions may eventually be appealed, and the many lawsuits pending in multiple other US jurisdictions, this is far from the final word on this issue, and I suspect it will be a while before any judicial consensus begins to emerge.

But it is worth noting there are at least two points on which both district courts agree: (1) that the use of copyrighted works to train an AI models is “transformative”, and (2) courts should ignore harm to the market for licensing works under the fourth fair use factor. I previously wrote about why I think the courts are wrong on the first point, and today I want to write about why I think they are wrong on the second point.

Defining market harm

The fourth fair use factor, “undoubtedly the single most important element of fair use,”1Harper & Row, Publrs. v. Nation Enters., 471 U.S. 539, 566 (1985); see also Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569, 574 (1994) (quoting Harper & Row); Google LLC v. Oracle Am., Inc., 593 U.S. 1, 50 n.5 (2021) (Thomas, J., dissenting) (same). directs courts to consider “the effect of the use upon the potential market for or value of the copyrighted work.”217 U.S.C. § 107. It involves looking at both harm to the original (i.e., does the new work serve as a substitute for the original work) and harm to the market for derivative works.3471 U.S. at 568. This is not a damages analysis in the sense of focusing only on a measurement of already occurred harm.4Sony Corp. of Am. v. Universal City Studios, Inc., 464 U.S. 417, 451 (1984) (“Actual present harm need not be shown; such a requirement would leave the copyright holder with no defense against predictable damage.”). It is instead meant to focus prospectively, and look at not just the harm from the “particular actions of the alleged infringer,” but also the harm if the conduct would become widespread.5471 U.S. at 568 (“to negate fair use one need only show that if the challenged use ‘should become widespread, it would adversely affect the potential market for the copyrighted work.'”).

The plaintiffs in Bartz and Kadrey both advanced multiple forms of market harm caused by defendants resulting from their copying of works to train their AI models. Both provided evidence of a market for licensing copyrighted works for AI training.6Decl. of James Malackowski at 15-26, Bartz v. Anthropic, No. 3:24-cv-05417-WHA (N.D. Cali. April 25, 2025), ECF No. 156; Pl.’s Reply to Mot. for Partial Summ. J. and Opp’n to Meta’s Mot. for Partial Summ. J. at 26-30, Kadrey v. Meta, No. 3:23-cv-03417-VC (N.D. Cali. April 7, 2025), ECF No. 517. But in both cases, the courts dismissed this evidence as legally irrelevant, a conclusion that was a shock to many, especially given that this market is estimated to be worth $2.5 billion today and expected to grow to $30 billion within the decade.

Bartz provided little explanation for its conclusion, saying only,

A market [for licensing copyrighted works for training] could develop. Even so, such a market for that use is not one the Copyright Act entitles Authors to exploit. None of the cases cited by Authors requires a different result. All contemplated losses of something the Copyright Act properly protected — not the kinds of fair uses for which a copyright owner cannot rightly expect to control. 

Kadrey offered somewhat more explanation, saying,

But whether such a market [for licensing works to train AI] exists or is likely to develop is irrelevant, because this market is not one that the plaintiffs are legally entitled to monopolize. In every fair use case, the “plaintiff suffers a loss of a potential market if that potential [market] is defined as the theoretical market for licensing” the use at issue in the case. Therefore, to prevent the fourth factor analysis from becoming circular and favoring the rightsholder in every case, harm from the loss of fees paid to license a work for a transformative purpose is not cognizable.

In short, both courts decided copyright owners are not entitled to the market for licensing their works to AI developers for training, and thus courts should not consider that market when engaging in a fair use analysis.

No doubt, lawyers in these and other AI cases will argue that both courts seriously misread the case law. For example, it is notable that neither judge cites to Campbell v. Acuff-Rose, the one Supreme Court decision that spoke directly to what markets a copyright owner is entitled to under the fourth fair use factor, and how it seems unreasonable to twist Campbell’s reluctance to infer harm to a potential licensing market that copyright owners are unlikely to develop into a rule that courts should ignore an actual licensing market that copyright owners are actively engaged in.7510 U.S. 569, 592 (1994). They may also point out that both courts have engaged in the type of categorical, bright-line rules that are disfavored in fair use. They have impermissibly collapsed the fair use analysis into a single inquiry of transformativeness, only a few years after Warhol warned otherwise.8Andy Warhol Found. for the Visual Arts, Inc. v. Goldsmith, 598 U.S. 508, 550 (2023) (“The Court has cautioned that the four statutory fair use factors may not ‘be treated in isolation, one from another. All are to be explored, and the results weighed together, in light of the purposes of copyright.'”). There are likely additional legal arguments that would persuade an appellate court to reverse these holdings.

When markets advance the goals of copyright

But it is also worth looking at this issue through the lens of whether recognition of a market under the fourth factor would advance the goals of copyright. That is, after all, the basic premise of copyright.9471 U.S. at 558 (“By establishing a marketable right to the use of one’s expression, copyright supplies the economic incentive to create and disseminate ideas”); Eldred v. Ashcroft, 537 U.S. 186, 212 n.18 (2003) (“The economic philosophy behind the Copyright Clause is the conviction that encouragement of individual effort by personal gain is the best way to advance public welfare through the talents of authors and inventors. Accordingly, copyright law celebrates the profit motive, recognizing that the incentive to profit from the exploitation of copyrights will redound to the public benefit by resulting in the proliferation of knowledge. The profit motive is the engine that ensures the progress of science (cleaned up).”). Each of the four fair use factors must be considered independently in light of this goal. If licensing would serve the purpose of copyright better than unpermissioned and uncompensated use, shouldn’t that weigh against fair use?

It’s long been observed that a licensing market for criticism and parody would do little to promote the goals of copyright.10See, e.g., Wendy Gordon, Fair Use as Market Failure: A Structural and Economic Analysis of the Betamax Case and its Predecessors, 82 Colum. L. Rev. 1600, 1632-1634 (1982). Recognizing such a market might, for example, distort how critical uses are produced, which in turn would distort discourse in socially undesirable ways.

By contrast, a licensing market for AI training would promote the goals of copyright in at least four ways:

First, licensing creates incentives for high-quality data. A lot of work is needed to curate training datasets for specific purposes, clean and prepare the data to optimize model performance, and translate it into training-ready formats. With a market for licensing training datasets, publishers and other copyright owners will be motivated to make their own catalogs of works more attractive to AI developers. Third party aggregators and platforms will also be incentivized to curate and provide high-quality datasets with a competitive marketplace. In the absence of a market, only the largest companies will have the time and money to do this work, and they will be disincentivized from sharing datasets to prevent competitors from free-riding off their investments, inhibiting the broadest dissemination of copyrighted works for training.

Second, licensing reinforces public access. If scraping publicly available content is allowed without compensation, publishers are given a clear incentive to move their works behind paywalls, authentication barriers, or technical protections. Ironically, in the name of free access for AI, fair use may end up reducing access for humans. But if publishers know that public access does not mean uncompensated use, they are more likely to keep their content openly available, confident that doing so will not render it a free resource for commercial appropriation.

Third, licensing is pro-competitive. It lowers barriers to entry and broadens access to high-quality datasets, which means more AI companies can compete, leading to increased innovation, product variety, and lower costs. Licensing enables specialization, allowing licensors to deepen their expertise and rewarding them in the market for increasing efficiencies in creating and providing training datasets. Contrary to claims that licensing would favor big companies over small, it is the world that ignores copyright that is a winner takes all world, where the competitive edge goes only to the largest companies that can devote the most resources to collecting and building training datasets.

Fourth, licensing creates certainty. “Because copyright law ultimately serves the purpose of enriching the general public through access to creative works,” says the Supreme Court, “it is peculiarly important that the boundaries of copyright law be demarcated as clearly as possible.”11Fogerty v. Fantasy, Inc., 510 U.S. 517, 527 (1994). The use of copyrighted works by AI developers is complex, far more complex than uses like criticism or parody,12Though even a parodic work “may have a more complex character,” as the Supreme Court noted in Campbell, “with effects not only in the arena of criticism but also in protectible markets for derivative works, too.” 510 U.S. at 592. with multiple potential uses on the ingestion side and potential reproductions occurring on the output side. Even if courts begin to find that the actual training with copyrighted works is fair use, that still leaves substantial legal uncertainty around different factual scenarios, ancillary uses of works, and downstream uses.

The decision in Bartz is proof positive of this. Although the court held that the copies of works used to train Anthropic’s LLM were justified under fair use, it concluded that the downloading of pirate copies was not fair use, and any internal copying that was not part of the training process may still be infringing. Licensing can prospectively address these issues with far greater certainty and allow parties to allocate risks more efficiently, leading to increased investment and innovation.

Perhaps most importantly when it comes to the constitutional goals of copyright: licensing rewards authors and publishers.13Kirtsaeng v. John Wiley & Sons, Inc., 579 U.S. 197, 204 (2016) (“copyright law ultimately serves the purpose of enriching the general public through access to creative works. The statute achieves that end by striking a balance between two subsidiary aims: encouraging and rewarding authors’ creations while also enabling others to build on that work.”) (citing Fogerty, 510 U. S., at 526). Creators of books, journalism, photography, and other expressive works are essential to the cultural and informational commons. Licensing allows them to share in the commercial success of AI, providing income streams that support continued creation. The public continues to benefit from their creative work, and the next generation of AI benefits from a renewable source of high-quality training materials.

Conclusion

Both Bartz and Kadrey have created a bright-line rule that transformativeness equals fair use. A categorical rule that excludes consideration of harm to markets for uses that a court determines are transformative effectively collapses the four factor analysis into a single inquiry. If this rule stands, it would put fair use at odds with the goals of copyright, and turn it into a doctrine that exists for the private benefit of the largest commercial actors in the world at the expense of the public good.

References

References
1 Harper & Row, Publrs. v. Nation Enters., 471 U.S. 539, 566 (1985); see also Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569, 574 (1994) (quoting Harper & Row); Google LLC v. Oracle Am., Inc., 593 U.S. 1, 50 n.5 (2021) (Thomas, J., dissenting) (same).
2 17 U.S.C. § 107.
3 471 U.S. at 568.
4 Sony Corp. of Am. v. Universal City Studios, Inc., 464 U.S. 417, 451 (1984) (“Actual present harm need not be shown; such a requirement would leave the copyright holder with no defense against predictable damage.”).
5 471 U.S. at 568 (“to negate fair use one need only show that if the challenged use ‘should become widespread, it would adversely affect the potential market for the copyrighted work.'”).
6 Decl. of James Malackowski at 15-26, Bartz v. Anthropic, No. 3:24-cv-05417-WHA (N.D. Cali. April 25, 2025), ECF No. 156; Pl.’s Reply to Mot. for Partial Summ. J. and Opp’n to Meta’s Mot. for Partial Summ. J. at 26-30, Kadrey v. Meta, No. 3:23-cv-03417-VC (N.D. Cali. April 7, 2025), ECF No. 517.
7 510 U.S. 569, 592 (1994).
8 Andy Warhol Found. for the Visual Arts, Inc. v. Goldsmith, 598 U.S. 508, 550 (2023) (“The Court has cautioned that the four statutory fair use factors may not ‘be treated in isolation, one from another. All are to be explored, and the results weighed together, in light of the purposes of copyright.'”).
9 471 U.S. at 558 (“By establishing a marketable right to the use of one’s expression, copyright supplies the economic incentive to create and disseminate ideas”); Eldred v. Ashcroft, 537 U.S. 186, 212 n.18 (2003) (“The economic philosophy behind the Copyright Clause is the conviction that encouragement of individual effort by personal gain is the best way to advance public welfare through the talents of authors and inventors. Accordingly, copyright law celebrates the profit motive, recognizing that the incentive to profit from the exploitation of copyrights will redound to the public benefit by resulting in the proliferation of knowledge. The profit motive is the engine that ensures the progress of science (cleaned up).”).
10 See, e.g., Wendy Gordon, Fair Use as Market Failure: A Structural and Economic Analysis of the Betamax Case and its Predecessors, 82 Colum. L. Rev. 1600, 1632-1634 (1982).
11 Fogerty v. Fantasy, Inc., 510 U.S. 517, 527 (1994).
12 Though even a parodic work “may have a more complex character,” as the Supreme Court noted in Campbell, “with effects not only in the arena of criticism but also in protectible markets for derivative works, too.” 510 U.S. at 592.
13 Kirtsaeng v. John Wiley & Sons, Inc., 579 U.S. 197, 204 (2016) (“copyright law ultimately serves the purpose of enriching the general public through access to creative works. The statute achieves that end by striking a balance between two subsidiary aims: encouraging and rewarding authors’ creations while also enabling others to build on that work.”) (citing Fogerty, 510 U. S., at 526).